从舞蹈诗《礼乐魂·眷顾的诗情》看交响编舞法的民族化  

The Nationalization of Symphonic Choreography in the Dance Poem Li Yue Hun·Blessing Poetics

作　　者：苏自红[1] SU Zi-hong(School of Dance,Minzu University of China,Beijing 100081,China)

机构地区：[1]中央民族大学舞蹈学院,北京100081

出　　处：《北京舞蹈学院学报》2018年第4期121-124,共4页Journal of Beijing Dance Academy

摘　　要：本文是对张建民教授的研究生导师工作坊《礼乐魂-眷顾的诗情》,从交响编舞法产生的一个思考。作品从形式到内容,都让人切切实实地看到了张建民教授在中国民族舞蹈诗舞蹈创作中对编舞技术技法所进行的深入研究,并努力在教学实践和创作实践中将源于西方交响编舞法的技术"洋为中用";把中国先秦古典礼乐和古代文化的内涵"古为今用";有意追求舞蹈动作的"简静"而意蕴"深邃",内涵"达观"而文脉"畅通",探索既符合时代要求又具有中国民族传统文化意蕴"为我所用"的中国舞剧交响编舞法民族化的创作方法。This paper examines Li Yue Hun · Blessing Poetics,a Chinese dance choreography workshop organized by Professor Zhang Jianmin in the perspective of symphonic choreography. When creating Chinese national dance poetry,Zhang Jianmin makes the in-depth exploration of dance composition techniques including form and content. He applies the western symphonic choreography in his practice of teaching and composition based on Chinese traditional culture. He intentionally seeks for the＂simplicity and peace＂of the dancing movements with deep connotation and obvious cultural heritage. The choreographer explores the creating method of Chinese dance drama combining the demands of times with Chinese traditional culture.

关 键 词：交响芭蕾 交响编舞 民族化 

分 类 号：J704[艺术—舞蹈]