汉字设计情境下的书法字体原则  

On the Principle of Calligraphy Fonts under the Context of Chinese Character Design

作　　者：喻文华[1] 行佳丽 Yu Wenhua;Xing Jiali

机构地区：[1]山西传媒学院,山西太原030619 [2]山西师范大学,山西太原041000

出　　处：《民族艺林》2018年第3期102-107,共6页Journal of Ethnic Art

摘　　要：文章在汉字设计的情境下,首先揭示了书法字体艺术性与功能性难以调和的矛盾,继而通过分别挖掘"榜书"中的标题书法字体原则,以及"台阁体"中的正文书法字体原则,明确了标题字体与正文字体各自的特征,再从字体的点画与结体两个方面切入,提出了统一标题与正文字体的具体方法。这不仅为书法字体统一与变化的矛盾解决找到了突破口,更进一步提出了将传统书法资源与现代字体设计观念相结合的研究路径。Under the context of the Chinese characters design, the paper first revealed theinconsistencies between the artistry and functional qualities of the calligraphy fonts, and then explored theprinciple of title calligraphy fonts of“Bangshu”and the principle of text calligraphy fonts of“Tai Ge style” .The principle defined the respective characteristics of the title font and the text font. Then, from the twoaspects of the strokes and the structure of the font, a specific method of unifying the title font and the text fontwas proposed. It not only madea breakthrough for the resolution of the controversy between the unificationand change of calligraphic fonts, but also offered a research approach combining the traditional calligraphyresources with modern typography concepts.

关 键 词：汉字设计 书法字体 标题字体 正文字体 

分 类 号：J504[艺术—艺术设计]