杨柳青年画中的服饰形象特征  

The costume and image features of Yangliuqing New Year paintings

作　　者：华梅[1] HUA Mei(School of Fine Arts and Design,Tianjin Normal University,Tianjin 300387,China)

机构地区：[1]天津师范大学美术与设计学院,天津300387

出　　处：《西安工程大学学报》2018年第5期519-524,共6页Journal of Xi’an Polytechnic University

基　　金：天津市艺术科学规划重点项目(2016C16073)

摘　　要：杨柳青年画作为中国民间艺术之一,人物服饰形象突出,明显得益于它的印绘结合,这一点有别于其他年画艺术.文中以明至清代作品为主要研究对象,包括清以前、清初和清末民初3个时期,阐述其年画中服饰形象的色彩、款式、纹样的表现形式.结果表明,一般年画中,主要以色彩、纹样体现传统民间艺术特色.而杨柳青年画中的服饰形象由于写实与舞台艺术互借,从而对研究中国服饰演变史有着至关重要的意义.希望通过对其服饰的探究,以加强当代人对中国传统民间艺术的关注与继承.As one of the Chinese folk arts, Yangliuqing New Year paintings have prominent clothing images,obviously thanks to its combination of printing and painting, which is different from other New year painting art.With the Ming-and- Qing-Dynasty works as the main research object, including the three periods of before the Qing dynasty, the early Qing dynasty and the late Qing dynasty and the early Republic of China,their colors,style and patterns are discussed.It is shown that in some New Year paintings, colors and patterns reflect the characteristics of traditional folk art. The clothing images in Yangliuqing New Year paintings are borrowed from realism and stage art,so they are of great significance to the study of the history of costume evolution in China. Therefore, the article tends to further explore it, strengthen people′s attention to Chinese traditional folk art in the present era.

关 键 词：杨柳青年画 服饰形象 民间艺术 纹样 

分 类 号：J528.5[艺术—艺术设计]