检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:霍廷霄[1,2] 黄非 Huo Tingxiao;Huang Fei
机构地区:[1]北京电影学院美术系,北京100088 [2]中国电影美术学会 [3]北京电影学院 [4]天津美术学院 [5]天津工业大学
出 处:《民族艺术研究》2018年第5期46-53,共8页Ethnic Art Studies
摘 要:中国历史悠久的传统文化为中国电影美术的创作提供了取之不尽的创作源泉。中国电影剧本创作,尤其是古装剧更是依赖史书及各种实物资料。在中国,佛教、儒家、道家等中国的传统思想融入中国传统文化的方方面面,影响着诸多中国电影的创作。许多电影美术创作的过程就是将中国传统文化视觉化的过程,电影美术人的任务就是将传统文化之精髓不留痕迹地融入电影的概念设计、场景设计、道具设计、服装设计、化妆造型和特技设计等视觉造型设计中去。中国画论对中国电影美术创作产生了深刻的影响,许多电影的概念设计、场景设计遵循着中国写意山水画的创作原理,其人物造型则依循着中国写意人物画的法则。The profound Chinese traditional culture serves as abundant resources for the creation of Chinese film fine arts. The citation of Chinese film script, in particular the costume drama, depends largely on his- toric books and various objects materials. In China, Chinese traditional thoughts such as Buddhism, Confu- cianism and Taoism influenced various aspects of Chinese traditional culture, as well as the creation of many Chinese films. The creation process of film fine arts therefore is the process of visualizing Chinse traditional culture. The task of film artists is to adopt the essence of traditional cultrm smartly into the visual modeling of film in the aspects of concept design, scene design, special effects design. The idea of Chinese painting props design, costume design, make -up design and influenced the creation of Chinese film fine arts to a groat extent as many concept design and scene design follow the creation rule of Chinese freehand mountain - water brushwork and figure- modeling follows the rule of Chinese freehand figure brushwork.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.222