通俗小说与严肃小说的人物写作理论异同管窥  

The Basic Comparison of Character Writing Theory Between Light Literature and Serious Literature

作　　者：何晓路 He Xiaolu

机构地区：[1]武汉大学文学院

出　　处：《写作》2018年第4期73-77,共5页Writing

摘　　要：通俗小说与严肃小说表面上充满对立,在人物写作方面分歧尤为明显。比较"人物三维空间理论"与"性格组合论"的人物写作理论,双方都以矛盾冲突为要旨,这种内在相似性源于双方理论中多重主体地位的消亡。作者与读者的主体性因屈从于价值判断而被消解,人物形象与受众的情感共鸣成为人物塑造的纲领。注重情感的人本主义价值判断,既与双方继承的现实主义文学传统有关,同时也暴露了他们理论内部共同的内在冲突。Lght literature and serious literature are seemingly full of conflicts, especially in character writing. Comparing the character writing theory of ＂three-dimensional character theory＂ with ＂on the composition of character＂, it is found that both sides use contradictions as the keynote. This internal similarity stems from the demise of various subjects in the theory of both sides. The subjectivity of the author and the reader is dispelled by succumbing to value judgment. The resonance of the character and the audience shapes the character writing. This humanism leads to the realist litera- ture tradition inherited by both sides and their bilateral internal conflicts.

关 键 词：人物三维空间理论 性格组合论 人物写作 主体 现实主义 

分 类 号：H315[语言文字—英语]