浅析中国古代建筑画中的建筑哲学  

Analysis of Architectural Philosophy in Ancient Chinese Architectural Paintings

作　　者：李立新[1] 吴卉艳 Li Lixin,Wu Huiyan

机构地区：[1]厦门大学建筑与土木工程学院

出　　处：《建筑与文化》2018年第11期71-72,共2页Architecture & Culture

摘　　要：建筑哲学是关于建筑基本的观点,它是对建筑本质的透彻分析,也是对建筑认识的一种研究。而建筑画则是一种对建筑的记录,无论是中国还是国外都有各自建筑的绘图方式。中国的建筑画是中国传统画中独立的一个绘画科目,即山水、花鸟、人物画各成一派。建筑画能反映国家当时的经济、文化背景、建筑的特征以及建造方式,以及风土人情。文章通过对古代建筑画发展的梳理,来追溯中国古代的建筑哲学。Architectural philosophy is a basic view of architecture, it is not only an analysis of the nature of architecture, but also a study of the understanding of architecture. The architectural painting is a record of the building, every country has its own way for architectural drawing. Chinese architectural painting is a branch of Chinese traditional painting, that is, landscape, flower and bird, figure painting. People can understand the real country of our old China, feel the building and construction, the local customs and practices better, and cultural background, which can reflect the architectural philosophy. This article is to review the ancient Chinese architectural philosophy by combing the development of ancient architectural painting.

关 键 词：建筑 建筑画 建筑哲学 天人合一 礼制 

分 类 号：TU-021[建筑科学—建筑理论]