从《寻梦环游记》看色彩对动画电影空间的塑造  

Study on the Molding of Color for Animated Film Space through Coco

作　　者：张引 ZHANG Yin(School of Arts and Media,Hefei Normal University,Hefei 230061,China)

机构地区：[1]合肥师范学院艺术传媒学院,合肥230061

出　　处：《西安文理学院学报（社会科学版）》2018年第5期83-88,共6页Journal of Xi’an University(Social Sciences Edition)

基　　金：安徽省人文社会科学研究重点项目:现代科技在亳州花戏楼传统文化中的传承发扬及创新研究(SK2017A0995)

摘　　要：电影空间根据承载功能的不同,划分为故事空间、物理空间和心理空间三重层次。色彩作为动画电影空间的重要造型要素,对其三重空间的塑造有着特殊涵义。动画《寻梦环游记》中的色彩语言大胆鲜明,选取了很多具有代表性的色彩用于电影空间的设定,为影片环境造型、叙事和观众的感受开拓了无限的表现空间。影片中民族色彩的使用将墨西哥的传统文化代入故事空间,增强了视觉空间的真实感,利用饱和度、明度、冷暖的综合对比表现动画画面的立体感和纵深感,以色彩联想的形式引导观众心理感受的变化,带领观众走进影片的内心世界。电影空间呈现形式多种多样,动画《寻梦环游记》为不同的电影空间创造了不同的色彩书写方式,深化了动画电影空间的功能,以创造性的色彩语言拓展了影片空间的表达方式,并结合色彩的象征意义,为动画空间叙事和表意提供了更多可能。According to the different bearing function, the film space can be divided into three levels：the story space, the physical space.and the psychological space. Color, as an important element of animated film space, has a special meaning for the molding of its triple space. With a bold and bright color language, the animated feature film Coco selects a number of representative colors for film space setting, which opens up an unlimited space for film en- vironment modeling, narrative and the feelings of the audience. The use of national colors in the film blends the tra- ditional culture of Mexico into the story space, enhancing the realism of the visual space, using a combination of sat- uration, lightness, and warmth to express the three-dimensional and deep sense of the animated picture, and guiding the audience into the inner world of film. The film space presents a variety of forms,the animated feature film Coco creates a different color writing mode for different film space, deepens the animation film space, expands expression space, and provides more possibilities for animation and ideographic narrative space.

关 键 词：电影空间 民族色彩 色彩对比 色彩联想 

分 类 号：J954[艺术—电影电视艺术]