《终局》中塞缪尔的反戏剧文化内涵表达手法透析  

Discussion on Expression Methods of Anti-drama Cultural Connotation by Samuel in Endgame

作　　者：廖舒晗 LIAO Shu-han(International School, Guangdong Food and Drug Vocational College, Guangzhou 510520, China)

机构地区：[1]广东食品药品职业学院国际交流学院,广州510520

出　　处：《黑龙江教育学院学报》2018年第11期111-113,共3页Journal of Heilongjiang College of Education

基　　金：广东省教育研究院项目"基于跨文化交际的高职英语教学模式研究"(GDJY-2014-B-b144)阶段性研究成果

摘　　要：塞缪尔·贝克特作为近代爱尔兰最伟大的小说、戏剧创造者之一,以其独特的荒诞写作方法受到了广大读者的喜爱。《终局》作为塞缪尔的代表作品,其中充满了大量的非逻辑、非理性文学元素,与传统的戏剧创作完全不同,作者通过这种方法成功刻画出了战后人们扭曲的社会价值观与人际关系,以反戏剧的文化内涵表达了自己对当时社会的控诉。以《终局》为研究方向,分析作者塞缪尔的创作方法,希望能够为相关文学爱好者阅读提供可以参考的理论依据。As one of the greatest novel and drama creators in modern Ireland, Samuel Beckett is very popular among readers with his distinctive and mysterious writing methods. As a representative work of Samuel, Endgame is filled with illogical and non-rational literary elements. Totally differing from traditional drama writing, the author successfully depicted distorted social values and interpersonal relationships of people after the war through the method and expressed his social appeals with anti-drama cultural connotation. The essay will analyze the creation method of Samuel by taking Endgame as a research direction with the purpose of providing a theoretical

关 键 词：《终局》 塞缪尔 反戏剧 文化内涵 

分 类 号：I106.4[文学—世界文学]