王维诗歌中的禅美学——以《辛夷坞》为例  

On the Zen Aesthetics in Wang Wei's Poetry——Taking the Magnolia Dock as An Example

作　　者：姬佳宇 JI Jia-yu(School of Philosophy and Law,Shanghai Normal University,Shanghai 200234,China)

机构地区：[1]上海师范大学哲学与法政学院,上海200234

出　　处：《晋城职业技术学院学报》2018年第6期89-91,96,共4页Journal of Jincheng Institute of Technology

摘　　要：《辛夷坞》为王维《辋川集》中的第十八首,用五言绝句描述了辋川一带的风景事物。王维淡泊的艺术气质和对宗教的审美体验糅杂渗透于山水诗中,开创出新的诗歌境界。从禅宗美学的角度来看,诗人宜心静、智静、慧静。王维诗中的辛夷花唤醒本心,超越了有限与无限、瞬间和永恒的二元对立观念,从当下、刹时去体验永恒。Magnolia dock is the eighteenth poem in Wang Wei’sWang Chuan Poetry Anthology ,which depicts the scenery of the Wangchuan area with five quatrains. Wang Wei’s indifferent artistic temperament and religious aesthetic experience are infiltrated into the landscape poetry, creating a new poetry realm. From the perspective of Zen aesthetics, the poet should be calm, silent and wise. Wang Wei’s mood when seeing magnolia was like silence and tranquility. Zen poetry awakened his heart, transcended the concepts of finite and infinite, instantaneous and eternal binary opposition, and made him experience eternity from the present and the moment.

关 键 词：王维 《辛夷坞》 禅美学 

分 类 号：I207.22[文学—中国文学]