从观看科学到科学地观看——近代画报中科学图像的演变  

作　　者：徐沛[1] 罗家容 

机构地区：[1]四川大学文学与新闻学院新闻系

出　　处：《文化研究》2015年第2期324-337,共14页Cultural Studies

基　　金：国家社科基金项目“清末民初画报研究”(10CXW002);四川大学中央高校基本科研业务费研究专项项目(skqx201104);香港城市大学中国内地青年传播学者到访项目的阶段性研究成果

摘　　要：科学图像是近代画报中引人注目的一种图像类型。通过细读图像文本，本研究发现晚清画报上的科学图像（无论是在学术类刊物上作为插图，还是在大众刊物上被猎奇围观）都倾向于将科学描绘成被观看的对象，而民国时期的画报则开始出现使用先进科技手段获得的图像，后者为画报读者提供了对于肉眼而言前所未有的崭新世界。在此基础上，笔者进一步分析了此类引导读者科学地观看世界的图像，认为它们带给读者的不仅是前所未有的新景观，更是一种全新的观看世界、理解世界、改造世界的现代观念。There are many scientific images in early modern pictorials Science was represented as the object of seeing not only in professional journals but also in popular magazines during late Qing dynasty Chinese were able to find a sense of modernity by seeing these scientific images During 1920s and 1930s, images produced by new technologies such as highspeed photography, microphotography and Xray photography began to emerge Inspired by these new technological advancement,Chinese were able to see things never seen before, discover and shapeoriented transformation of modernity in the new scientific images.

关 键 词：科学图像 现代性 表征 医学目视 合法性 

分 类 号：J409.2[艺术—摄影艺术]