《红楼梦》男风书写的儒家文化指向  

The Orientation of the Confucian Culture in Description of Male Homosexuality in A Dream in Red Mansions

作　　者：张国培 ZHANG Guopei(School of Literature and Journalism,Chongqing Technology and Business University,Chongqing,400067,China)

机构地区：[1]重庆工商大学文学与新闻学院,重庆400067

出　　处：《内江师范学院学报》2018年第11期5-11,共7页Journal of Neijiang Normal University

基　　金：河南省教育厅人文社会科学研究一般项目"清代小说的品花书写与士人心态研究"(2017-ZZJH-396)

摘　　要：《红楼梦》的男风书写可以分为三类解读:男性贵族的男色娱乐、冯渊的酷好男风、以宝玉为中心的同性交往。三类不同的男风书写都表露出鲜明的儒家文化背景色彩,借男色纵欲并未被儒家文化明确否定,男风被叙述为道德问题,并最终以婚姻或朋友之义为归宿。《红楼梦》的男风书写彰显了儒家文化在男风问题上的自信。The description of male homosexuality in A Dream in Red Mansions can be classified into three categories for interpretation： the male homosexual entertainment, Feng Yuan＇s indulgence in male homosexuality, and the homosexual inter action with Baoyu as the center. Such description has the striking color of Confucian culture. The male homosexuality is not negated openly by Confucianism and is only defined as the moral problem in the range of marriage and friendship. Generally, this kind of description in A Dream in Red Mansions has manifested the Conlucian conlidence in homosexuality.

关 键 词：《红楼梦》 男风 儒家文化 

分 类 号：I207.41[文学—中国文学]