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作 者:邹建军[1] 屈伶萤 Zou Jianjun;Qu Lingying
机构地区:[1]华中师范大学文学院
出 处:《写作》2018年第5期113-117,共5页Writing
摘 要:李强诗歌是一种典型的自由体,在格律上似乎没有任何讲究,然而读起来却很有味道,其原因在于大量新颖的意象的创造与呈现。他善于把意象放在诗的结尾处,特别突出以动态的、静态的、色彩的、声音的方式呈现四类意象。正是它们让诗美闪亮,并给读者留下了想象与品味的空间,产生了余音绕梁的艺术效果。这无疑是一种高超的、重要的艺术选择,体现了诗人独到的艺术构思与强大的创造力量。Li Qiang's poetry is a typical free verse with no particular discipline in the rhythm, but it has a lingering charm when reading, because of" his creation and presentation in a plenty of neoter/c images. He is good at putting the image at the end of the poem, especially the four kinds of images that are presented in dynamic, static, color, and sound. It is these images that make the poetry beautiful and shiny, leave the reader with a space of imagination and appreciation, resulting in an artistic effect of the reverberation. This is undoubtedly a superb and important artistic choice, reflecting the poet's unique artistic conception and powerful creative strength.
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