唐诗中“觱篥”“芦管”异同考  

An Investigation into Similarities and Differences in the Tartar Pipe and the Chalumeau in the Tang Poetry

作　　者：屈玉丽[1] 胡可先[2] 刘芳[1] 孟媛媛[1] QU Yu-li;HU Ke-xian;LIU Fang;MENG Yuan-yuan(Sehool of Humanities,Tarim University,Alaer 843300,China;Sehool of Humanities,Zhejiang University,Hangzhou 310028,China)

机构地区：[1]塔里木大学人文学院,新疆阿拉尔843300 [2]浙江大学人文学院,浙江杭州310028

出　　处：《海南大学学报（人文社会科学版）》2018年第6期107-116,共10页Journal of Hainan University （Humanities & Social Sciences）

基　　金：国家社会科学基金重大项目(14ZDB065);国家社会科学基金项目(13CZW031);新疆自治区普通高校人文社科重点研究基地非物质传统安全与边疆民族发展研究中心招标课题(090115C05);塔里木大学校长基金(TDSKYB1705)

摘　　要：觱篥、芦管在唐代文学作品中时而表现为两种不同乐器,时而又界限模糊。结合史料及文学作品,分析唐代觱篥和芦管的异同,探索其同质化倾向的表现及原因,以期解决唐诗相关问题,并探讨乐器发展演变的特点及其在文学作品中的体现。The Tartar pipe and the chalumean are two different musical instruments in the literary works in the Tang Dynasty, which are sometimes blurred in terms of their boundary. In this paper, the historical documents and literary works are used to analyze the similarities and differences between these two, and explore the mani- festation of their homogenization tendency and the reasons. While comping with the related problems in the Tang poems, it also investigates the characteristics of musical instrument development and their manifestation in the literature.

关 键 词：觱篥 芦管 同质化 差异 唐诗 

分 类 号：I222.7[文学—中国文学] J632.1[艺术—音乐]