《爵士乐》中“野女人”的形象解读  

On the Image of “Wild” in Jazz

作　　者：刘晓露 李可一 LIU Xiaolu;LI Keyi(College of Foreign Language,Changsha University,Changsha Hunan 410022,China;Mingde Tianxin Middle School,Changsha Hunan 410004,China)

机构地区：[1]长沙学院外国语学院,湖南长沙410022 [2]明德天心中学,湖南长沙410004

出　　处：《长沙大学学报》2018年第6期113-115,共3页Journal of Changsha University

基　　金：长沙市科技计划项目;编号:K1705116

摘　　要：在莫里森的代表作《爵士乐》中,宠儿的故事仍在继续,她化身成主人公乔从未见过的母亲,她是树林里的野女人,是粗暴、原始、被放逐的女性自我。她那狂野神秘的形象成为文本重要的符号隐喻,记录了莫里森对激进黑人女性主体的构想和书写。The story of beloved continues in Toni Morrison＇ s Jazz. She becomes Joe＇ s mother whom Joe has never seen. She is the wild in the woods, representing the outrageous, outlawed, and original female self. As the important semiotie metaphor of the text, her wild and mysterious image reflects Morrison＇ s idea and writing of the radical black woman.

关 键 词：野女人 宠儿 痕迹 母性空间 

分 类 号：I712.074[文学—其他各国文学]