元代蒙古宫廷音乐探析  

A Study of Mongolian Court Music in the Yuan Dynasty

作　　者：崔玲玲[1] CUI Ling-ling(School of Education,Minzu University of China,Beijing 100081)

机构地区：[1]中央民族大学教育学院,北京100081

出　　处：《中央民族大学学报（哲学社会科学版）》2018年第6期132-139,共8页Journal of Minzu University of China(Philosophy and Social Sciences Edition)

基　　金：2018年度教育部人文社会科学研究规划基金项目"卫拉特--阿拉善蒙古族传统音乐研究"(项目编号:18YJA760010)阶段性成果之一

摘　　要：元代蒙古宫廷音乐无论在蒙古族音乐史还是在中国音乐史上都占有重要地位,起到承前启后作用。元代蒙古宫廷音乐不仅使用本民族的音乐文化,对中原及唐宋等宫廷音乐也有继承。由于元代宫廷音乐留世甚少,本文通过对蒙元、明代文献梳理、描述,来窥探元代蒙古宫廷音乐机构设置,从《元史·礼乐志》中看出元代宫廷各种祭祀礼乐具有仪式性、融合性,从其他文献和诗文中看到元代宫廷音乐的民族性。元代宫廷音乐具有仪式性、融合性、民族性特征。Mongolian court music of the Yuan Dynasty is very important not only in the history of Mongolian music but also in the history of Chinese music, playing the role of linking the past with the future. Under the rule of Mongolian rulers, the court music reflected Mongolian music culture, and also inherited the music of the Central Plains as well as the court music of the Tang and Song dynasties. Since little court music of the Yuan Dynasty was left in the world, this paper attempts to make a study of the organizational structure of Mongolian court music in the Yuan Dynasty through a literature review of Mongol Yuan and Ming dynasties. Then, based on Rites and Music in the History of the Yuan Dynasty, it presents ritualistic and integrative features of sacrificial rites and music of the Yuan court and finds out ethnic characteristics of Yuan court music from some literature and poems. Finally, it concludes that the Yuan court music has ritual, fusion and ethnic characteristics.

关 键 词：元代蒙古宫廷音乐 仪式性 融合性 民族性 

分 类 号：J607[艺术—音乐]