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作 者:傅淳
机构地区:[1]上海大学上海美术学院
出 处:《设计》2018年第24期130-131,共2页Design
摘 要:以山东大学历史文化学院赵星宇的设计作品"曲辕犁指甲钳"为例,从中国传统文化与现代设计的关系出发,指出传统造物思想与现在设计理论存在着一定的共性,并且可以借助设计向现代人进行文化传播。曲辕犁指甲钳基于对于唐代曲辕犁历史价值的发掘与杠杆原理的转化,将中国的农耕文化融入现代人的审美中。基于实用目的的指甲剪创新设计,为中国目前对于传统资源的活化和应用提供了一种设计的思路。This article takes design work of Zhao Xingyu, who from History and Culture Institute, Shandong University, as an example. From the relationship between Chinese traditional culture and modern design, it is pointed out that there is a certain commonality between the traditional idea of creation and the theory of design, and it can be carried out to the modern people by design. On the basis of the excavation of the historical value of the Qu Yuan plow and the transformation of the lever principle,Qu Yuan pliers have integrated the farming culture of China into the aesthetics of modern people. The innovative design of nail clippers based on practical purposes provides a design idea for the activation and application of traditional resources in China at present.
分 类 号:TB472[一般工业技术—工业设计]
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