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作 者:吴琼[1] Wu Qiong(School of Foreign Languages,Zhongnan University of Economics and Law,Wuhan 430073,China)
机构地区:[1]中南财经政法大学外国语学院
出 处:《中南财经政法大学研究生学报》2017年第2期97-101,共5页Journal of the Postgraduate of Zhongnan University of Economics and Law
基 金:2016年中南财经政法大学研究生实践与科研创新课题项目:传统戏剧与多媒体技术融合之利弊研究(项目编号:2016Y0805)
摘 要:在科技迅猛发展的二十一世纪,多媒体技术的不断升级和在戏剧舞台上的广泛运用,对戏剧艺术产生了重大影响,然而关于多媒体技术与中国传统戏剧的融合引发了不同观点和讨论。本文主要结合我国目前具有代表性的多媒体戏剧作品归纳了多媒体技术与传统戏剧融合的创新表现形式,包括舞台美术、音响系统和唱法以及融入电影化手法;然而,多媒体技术与传统戏剧融合存在的弊端也不能忽视。在综合当前研究成果的基础上,关于未来二者的融合所能改进和注意之处,本文认为应尊重传统戏剧的本质,处理好艺术与技术的关系,丰富剧本的创作,从而实现我国传统戏剧在新时代背景下的不断创新和发展。With the rapid development of science and technology in the 21 st century, multimedia technology contin- ues upgrading and are widely used in the drama stage, which has significantly influenced on the drama. However, the in- tegration of multimedia technology and traditional Chinese drama caused ditterent opinions and discussion. Based on the representative multimedia dramas, this paper mainly summarizes the innovations of this integration, including stage art, sound system and singing style as well as the fusion of cinematic technique. However, the disadvantages of integrating multimedia technology with traditional dram cannot be ignored. On the basis of the current research results,it must re- spect the essence of traditional opera,correctly handle the relationship between art and technology and enrich the script writing to achieve the innovation and development of traditional Chinese drama in the new era.
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