论曹植文艺理论思想范式的审美表征  

The Esthetic Representation of Cao Zhi’s Paradigm on Literature and Art

作　　者：张鹏飞[1] 

机构地区：[1]亳州师范高等专科学校

出　　处：《浙江旅游职业学院学报》2011年第1期62-65,73,共5页Journal of Tourism College of Zhejiang

基　　金：国家级社科基金艺术学项目(07DD19);安徽省A类重点学科资助课题;安徽省教育厅人文社科研究项目基金课题(2009SK482)的阶段性成果

摘　　要：曹植尤其以著名的《洛神赋》奠定了"六朝美文"开山鼻祖的霸主地位且以"才高八斗"的诗文斐然傲立于建安文坛。可以说,曹植在文学主张上强调"文质相扶",崇尚诗文佳作不仅应达求"辞各美丽"的生命情韵而且更须标识出浓烈纯真的思想情感,从而彰显着"雅好""、悲凉"、"慷慨"的审美体征。Cao Zhi established himself as the writer of "The Best Literary Works in Six Dynasties " with his famous "Goddess of Luoshui River ",and was praised for his talented prose in the Jianan literary arena.It can be said that Cao Zhi’s literature theory not only asks for "the refined language " to mark the strong and pure emotion,but also shows "the refined tastes",and "dismal","generous" esthetic symptom.

关 键 词：曹植 文艺思想 慷慨悲凉 审美体征 

分 类 号：I206.2[文学—中国文学]