理论与经验:托尼·本尼特与20世纪英国文化研究  

Tony Bennett and 20th British Cultural Studies

作　　者：段吉方[1] 

机构地区：[1]南京大学文学院,南京210093

出　　处：《马克思主义美学研究》2009年第2期103-115,共13页Research on Marxist Aesthetics

基　　金：国家社科基金项目"意识形态与审美话语"(05CZW003)的阶段性成果

摘　　要：托尼·本尼特的文化研究对英国"文化研究"的理论传统既有呼应又有超越,他的文化研究更加注重工人阶级的经验性、文化的治理性以及实效性,其文化研究的理论范式超越了文化主义和结构主义传统,体现了一种特殊的政治性。托尼·本尼特的文化研究对文学的意识形态、文学的历史性、文化研究的政府性与治理性等具有不俗的理论见识,对威廉斯、伊格尔顿、阿尔都塞等马克思主义美学传统的批判与超越的尝试也非常明显,他的文化理论与实践在丰富了马克思主义美学的当代观念的同时,对中国当代文化研究具有重要的启发。Tony Bennett's cultural studies both responded the theory tradition of British Cultural Studies and transcended it,and his cultural studies paid more attention to the working class experience,cultural government and cultural practice,and his theory pattern not only transcended the theory tradition of eulturalism and structuralism,but embodied a special kind of political.Tony Bennett's cultural studies had made an important theoretical insights on the ideology of literature, the historical of literature and the government of cultural studies,and it is apparent that Tony Bennett tried to transcend the tradition of Marxist aesthetic including Raymond williams,Louis althusser and Terry Eagleton.His cultural studies both enriched the contemporary concepts of Marxist aesthetic and had an important inspiration on Chinese contemporary culture studies.

关 键 词：托尼·本尼特 文化研究 文化治理 文化霸权 

分 类 号：G156.1[文化科学]