中国岩画中人物的服饰形式及特征考释  

Verifi cation and Explanation on the Forms and Features of Figures' Clothing in Chinese Rock Painting

作　　者：童永生[1] 

机构地区：[1]江南大学设计学院

出　　处：《创意与设计》2015年第4期33-40,共8页Creation and Design

基　　金：2015年度教育部人文社科研究项目"中国岩画的史料整理与文化阐释研究";江南大学2015年哲学社会科学重点培育计划项目"中国岩画的审美发生与美学特征研究"(JUSRP1503ZD)阶段成果之一

摘　　要：我国是世界上发现岩画数量最多的国家,这些岩画集中地反映了我国史前人类的生产、生活、宗教文化等多方面内容,其中,人物画是我国岩画重要表现形式之一,见于岩画上的人物,从事着各项活动,从按劳动、生活到宗教、娱乐等等分类,莫不齐备。这些人物形象有着较为显著的衣着、尾饰、发饰、头饰、耳饰、鼻饰等装饰特征,有着鲜明的民族特征和区域文化内涵,反映了我国远古时期的先民在长期的劳动生活中形成的审美情趣与文化特征,是我们今天研究民族史、文化史不可多得的第一手形象的文献资料。Throughout the world, China has discovered the largest number of rock paintings, and these rock paintings intensively reflect the mode of prehistoric people's production, life, religious culture and other aspects of living in China. Figure painting is one of the most important forms of expression of Chinese rock paintings, and figures in them are always engaging in a wide range of activities, which can be divided into work, life, religion, entertainment and so forth. These ifgures have unique features of ornament, including that of clothing, tail decoration, hair accessory, headdress, earring, nose ornament and so on, and have distinct ethnic characteristics and regional cultural connotation. They relfect the aesthetic taste and cultural characteristics of ancient Chinese ancestors formed over a long time of work and life, thus becoming the valuable ifrsthand and vivid document literature for ethnic history and cultural history researches.

关 键 词：中国岩画 人物 服饰 考释 

分 类 号：K879.4[历史地理—考古学及博物馆学]