关于《髹饰录》钞本与初注者的讨论  

On the Manuscript and Initial Note Writer of Xiushilu

作　　者：长北[1] 

机构地区：[1]东南大学艺术学院

出　　处：《创意与设计》2015年第4期41-44,共4页Creation and Design

摘　　要：作者在对《髹饰录》版本详细校勘研究的基础之上,提出《髹饰录》蒹葭堂钞本与德川钞本谁先谁后,需在对两钞本进行科学检测和对两钞本背景继续深入研究的基础之上,得出科学的结论。在获得科学检测结果和科学结论之前,全世界学者宜按照东北亚乃至欧、美流传《髹饰录》各版本的共同祖本——蒹葭堂钞本,恢复《髹饰录》初注者姓氏为"扬明"。Jianjia Tang Manuscript and Tokugawa Manuscript of Xiushilu(Record of Lacquering), which is earlier? To answer it, the author suggests that we need to scientifically examine these two manuscripts and to further study their backgrounds, finally drawing a correct and scientific conclusion. Before the scientific result and conclusion comes out, scholars all over the world are expected to restore the surname of the initial note writer as 'Yangming' in accordance with the Jianjia Tang Manuscript because Jianjia Tang Manuscript is the shared archetypon of all versions of Xiushilu(Record of Lacquering) that spread in Northeast Asia and even Europe and America.

关 键 词：《髹饰录》 蒹葭堂钞本 德川钞本 扬明 

分 类 号：J527[艺术—艺术设计]