基于中西文化比较的版面网格系统设计方法论  

Design Methodology of Layout Grid System Based on the Comparison Between Chinese and Western Culture

作　　者：代福平[1] 

机构地区：[1]江南大学设计学院

出　　处：《创意与设计》2015年第6期29-34,共6页Creation and Design

基　　金：教育部人文社会科学研究青年基金项目"中西设计文化深层结构比较研究"(项目编号:11YJC760012);江南大学自主科研计划基金重点项目"服务设计在公共事务管理中的应用研究"(项目编号:JUSRP51326A)的阶段性成果

摘　　要：网格系统是现代版面设计中的一个核心问题。要想在排版实践中熟练运用它,就必须在方法论层面深入理解它,而这就要追溯到中西文化对自由的理解语境差异。本文从中西文化比较入手,揭示网格的精神实质,在此基础上探讨网格系统设计方法论难点,建立了包含网格的精神、功能、制定、突破共四个层次的版面网格系统设计方法论。。网格的精神是设计师创造过程中的自由自律精神即理性精神,设计师自由地为版面立法并一贯地遵守自己立的法;网格的功能在于,精确而系统地规定视觉元素的起止位置;网格的制定包括:版心、页眉页脚位置、版面图文区域分割、视觉元素间距等的规划;网格的突破意味着版面立法后的可持续的真实自由,包括视觉元素覆盖网格、根据网格违反网格、解构风格的网格三种类型。It analyzes how to truly understand and use the layout grid system. From the comparison of Chinese and Western culture, the spirit of the grid is revealed. On the basis of it, it discusses the difficulties of grid system design methodology. It builds up the method of layout grid system design, which contains four levels: the spirit, function, development and breakthrough of the grid. The conclusion is that the grid system is a key problem in the modern layout design. In order to use it in the practice of publishing, it is necessary to understand it in the design methodology. The spirit of the grid is the spirit of freedom and discipline in the creation of the designer. The designer is free to the layout of the legislation, and has always kept his own laws; The function of the grid is to precisely and systematically set up the position of the visual elements; Making grid includes: Center, header and footer location, layout segmentation, visual elements of space planning; Breaking grid means that the real sustainable development freedom of the layout After the legislation, including the visual elements of the grid, according to the grid in violation of the grid, the grid of three types of deconstruction.

关 键 词：版面设计 网格系统设计 理性精神 网格制定 网格突破 

分 类 号：J534[艺术—艺术设计]