虚幻的模拟和解梦的功能主义  

Fantastic Mimesis and Oneiric Functionalism

作　　者：姜丽[1] 王毅[1] 

机构地区：[1]山东大学外语学院,山东济南250100

出　　处：《山东大学学报（哲学社会科学版）》2002年第5期107-111,共5页Journal of Shandong University(Philosophy and Social Sciences)

摘　　要：本文论述了索克尔研究卡夫卡作品的两个重要特点 :虚幻的模拟和解梦的功能主义。本文按照索克尔批评在五十年间的演进 ,强调了卡夫卡作品内在因素对其研究所具有的重要意义。从亚里士多德的模拟学说到托多洛夫的虚幻艺术 ,从弗洛伊德的解梦理论到新批评派的作品固有论 ,这些可以解释卡夫卡作品的学说皆为索克尔吸收利用 ,同时说明了卡夫卡作品所具备的纷繁魅力。索克尔以读者为首 。This paper reveals two important aspects of the systematic research on Kafka by Walter Sokel, namely, fantastic mimesis and oneriric functionalism. It follows the evolution of the critic's studying methods, stressing the interconnections of intrinsic elements instead of external factors of writings. From Aristotle's mimesis to fantastic literature, from similiarity to Freud's explanation of dreams to the work immanent school of the New Critics, Kafka's writings offer vast possibilities for readers. Sokel's research represents a readerly approach in Kafka study and is well suited to the current condition of post modernity in literature.

关 键 词：虚幻 模拟 解梦 功能主义 索克尔 研究 卡夫卡作品 

分 类 号：I106.4[文学—世界文学]