作为中国现代绘画起点的写实主义  

Realism:Beginning of Modern Chinese Painting

作　　者：卢士刚[1] 

机构地区：[1]青海师范大学艺术系,青海西宁810008

出　　处：《青海师范大学学报（哲学社会科学版）》2002年第3期99-102,共4页Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)

摘　　要：自二十世纪初 ,对中国传统绘画进行改造的诉求 ,就深深地卷入了中国社会现代化的情境之中。从西方艺术中寻求资源 ,借以革除或替代中国绘画因因相袭的窠臼 ,逐渐形成一种广泛的共识。西方写实主义原则的普遍适用 ,是中国传统绘画现代化改造的重要标志。本文试图从视觉经验 ,接受基础和艺术史观这三个层面的人文背景加以分析 。Since the beginning of the 20th century,the improvement of the traditional painting has been involved into the modernization process in China.It is universally agreed that some out-of-date conventional approaches should be replaced by the artistic resources extracted from western art.The universal adoption of the realism is an important mark of the modern reformation.This paper is based on the analysis of a humannic background which is composed of three levels:the level of visual experience,the level of acceptance basis and the level of historical artistic view.And try to find out the internal relations of the western realism and the reformation of Chinese traditional painting.

关 键 词：写实主义 艺术进化论 现代化 中国绘画 

分 类 号：J211.23[艺术—美术]