时装与丑文化  

Fashion and unaesthetic culture

作　　者：张杞峰[1] 陈建辉[1] 

机构地区：[1]天津工业大学艺术设计学院,天津300160

出　　处：《天津工业大学学报》2002年第5期21-24,共4页Journal of Tiangong University

摘　　要：在肯定了以研究丑文化为中心、独立于传统美学的丑学是人类感性世界的重要组成部分的同时,思考丑文化的真正内涵,并追随西方艺术由现代主义进入后现代主义的历程,揭示丑文化对时装的深刻影响。This article comfirms that unaesthetics which takes the unaesthetic culture as the core and opposes the traditional aesthetic is an important part of the perceptual knowledges, at the same time, it probes into the real meaning of unaesthetic.Moreover, follows the development of the western art from modernism to postmodernism, this article discloses the sophisticated effects of the unaesthetic culture on fashion. Furthermore, the authors elaborate how unaesthetic culture is expressed by fashion through describing several famous fashion designers of different age and their fashions.

关 键 词：丑文化 服装文化 内涵 时装设计 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程]