花木兰:经典叙事的风格颠覆与女青年主体重建  

Hua Mulan: Style Subversion of Classical Narration and Reconstruction and Analysis of the Female Subjectivity

作　　者：罗晓东[1] 李高翔[1] Luo Xiaodong;Li Gaoxiang(Institute of Public Administration, Fujian Normal University; College of Chinese Language and Literature,Fujian Normal University)

机构地区：[1]福建师范大学公共管理学院

出　　处：《当代青年研究》2016年第2期88-93,共6页Contemporary Youth Research

摘　　要：花木兰作为一种女性形象的经典叙事,同时也是一种意识形态国家机器,正是其存在才维系了社会性别单一化、主流化的趋势。面对镇压性国家机器的作用和对服从关系的依恋本能和需求,只有通过亚文化对花木兰形象的再赋义,才能形成符合女性青年群体自身的文化风格,才能感染受众,颠覆传统价值观念的约束和认知的改变,重建女青年群体的主体性。Hua Mulan, a classical narration of female image, is a kind of ideological state apparatus at the same time. Due to its existence, the trend of social gender simplication and mainstreaming has been maintained. Facing the effect of repressive state apparatus and the instinctive attachment and demand for obedient relation, only through subculture’s re-endowing the image of Hua Mulan with meaning can a cultural style according with female groups form, the public be infected, the constraint of traditional values be subverted, the cognization be changed and the subjectivity of female be rebuilt.

关 键 词：经典叙事 再赋义 风格 主体性重建 

分 类 号：C913.68[经济管理]