无痕设计理论指导下的展示道具设计生命周期初探  

PRELIMINARY EXPLORATION ON THE LIFE CYCLE OF THE DISPLAY PROPS DESIGN UNDER THE GUIDANCE OF THE THEORY OF IDEOLOGICAL OF TRACELESS DESIGN

作　　者：鲁潇[1] 

机构地区：[1]西安美术学院

出　　处：《设计》2016年第21期118-119,共2页Design

基　　金：2015国家艺术基金<无痕设计--环境设计艺术人才培养项目>的成果之一

摘　　要：展示道具在现今的展示设计中,已不再是时间空间中的简单陈列和堆砌,展示道具的设计与应用乃至回收是一个完整的生命周期,在这个生命周期里,人与展示道具、环境与展示道具产生了一系列的联系,本文意在以无痕设计理论指导为核心,从生命周期这一概念出发,对展示道具的概念、设计、制作和回收进行分析,寻求一种资源的合理释放和设计的精细考量,为展示道具设计的可持续发展提出了更多的可能性。Display props design in today's show is no longer a simple display of time and space in a pile, and display props design and application as well as the recovery is a complete life cycle. In this life cycle, man and display of props、environment and display of props produce a series of links. This article is intended to guide the ideological of traceless design theory as the core. From the concept of life-cycle,the concept of display props, design, production and recycling are analyzed in this paper, seeking reasonable release and fine design of a resource, for the purpose of sustainable development of display props design.

关 键 词：无痕设计 展示道具设计 环保生态 可持续 

分 类 号：J525.2[艺术—艺术设计]