约瑟夫·康拉德小说“框架叙事”模式探析  

On Joseph Conrad's “Frame Narrative” Model

作　　者：徐健翔[1] 刘福芹[1] XU Jiang-xiang;LIU Fu-qin(Honghe University, Mengzi 661199, China)

机构地区：[1]红河学院,云南蒙自661199

出　　处：《红河学院学报》2016年第6期43-45,共3页Journal of Honghe University

摘　　要："框架叙事"是著名英国作家约瑟夫·康拉德小说叙事的一个显著特点。文章探讨了其短篇《礁湖》《卡伦》《青春》、中篇《黑暗之心》、长篇《吉姆爷》等小说中"框架叙事"模式的特点和作品主题,对康拉德"框架叙事"模式的形成、发展和革新进行了分析和探讨,并指出这种看似作者(叙述主体)不介入的叙事实质上是作者为了让其小说显得真实和可靠而有意为之。这实际上却恰恰表现出了作者对道德和人性的关怀。Based on such stories as “Lagoon”, “Karain: A Memory”, “Youth” and Heart of the Hearkens and Lord Jim, this paper discusses the “frame narrative” model in Joseph Conrad’s stories and points out that though Conrad wants to keep impersonal in his narration and tries to make his story real in this narrative model, it indeed shows his concern on morality and humanity.

关 键 词：约瑟夫·康拉德 “框架叙事”模式 道德和人性 

分 类 号：I106[文学—世界文学]