从“杂剧十二科”看明清杂剧题材宗元  

Zongyuan Tendency of Ming and Qing Dynasty Opera in Theme Based on Opera Twelve Families

作　　者：姜丽华[1] JIANG Li-hua(Faculty of Arts, Mudanjiang Normal College, Mudanjiang Heilongjiang 157011, China)

机构地区：[1]牡丹江师范学院文学院,黑龙江牡丹江157011

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2016年第12期1-4,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：2011年国家社科基金一般项目:明清戏曲宗元研究(11BZW061);2014年黑龙江省教育厅社科基金面上项目:孟称舜戏曲宗元研究(12542290);2015年黑龙江省艺术科学规划基金一般项目:明清曲家杂剧"宗元"研究(2015B016)

摘　　要："杂剧十二科",是明清曲家对元杂剧题材的归纳。它既基于元杂剧作品,又是对夏庭芝题材类别说的借鉴与超越。明清曲家在理论言说、选本辑录中,展示出对题材类别、题材优劣的择选与考量,体现出人生遭际和特定时期政治文化背景的影响,反映了宗元倾向之嬗变。Opera Twelve Families is a summary of Yuan Opera created by Ming and Qing Dynasty Opera writers. It is not only based on Yuan Opera but also takes example of Xia Tingzhi theme. Ming and Qing Dynasty Opera writers shows their choice and balance of theme categories and its strengths and weaknesses ; embodies the influences of up and down of lives and political and cultural background of specific times; reflects the tendency of Zong Yuan by their remarks on theories and editions.

关 键 词：“杂剧十二科”明清 杂剧 题材 宗元 

分 类 号：I206.37[文学—中国文学]