阿尔寨石窟壁画修复的思路与方法——以《宝杖怙主与八大寒林图》作品为例  

The Thinking and Method of Aerzhai Grottoes Mural Restoration——Take the Case of "Two Arm Mahakala and Eight Corpse Forest"

作　　者：索丽娅[1] 

机构地区：[1]内蒙古师范大学雕塑艺术研究院,内蒙古呼和浩特011517

出　　处：《内蒙古大学艺术学院学报》2016年第4期105-108,共4页Journal of Art College of Inner Mongolia University

基　　金：国家社科基金项目<民族关键支撑技术研究与应用示范>(项目编号015BAH36F00)的系列论文之一

摘　　要：阿尔寨石窟藏有近千米的佛教彩绘壁画,壁画反映社会民俗,宗教文化,保留了重要的历史痕迹。壁画风格与色彩的丰富表现流露出浓郁的北方草原文化的特色,堪称草原敦煌石窟艺术。但是石窟珍贵的壁画没有得到及时的保护,在长期的风化和人为的破坏下,洞窟内大部分壁画已剥落。保护好壁画文物对研究内蒙古地区乃至中国历史至关重要。本文以阿尔寨31窟壁画《宝杖怙主与八大寒林图》为例分析了壁画的内容,造型,色彩和材料,也从实践的角度对壁画修复性临摹进行了探索,并且将个人的心得和体会以文字的形式记录下来。There are nearly thousand meters of Buddhism murals in Aerzhai Grottoes.These murals reflected the social life and religious culture. It also retained the important historical traces.The rich style and varied colour in Aerzhai grottoes murals revealed the characteristics of the northern grassland culture,it can be called the Grassland Dun Huang Grottoes Art.But these precious murals were not protected in time, in the long-term weathering and man-made destruction, most of the grottoes murals have been peeling off. The protection of murals is very important for studying the history of Inner Mongolia and even China. In this paper, the author will use the No.31 Aerzhai grottoes murals 'Two arm Mahakala and Eight corpse forest ' as an example, the content, shapes, colors and materials of the murals are analyzed, the author will also explore the method of mural restoration copy in practical angle with writing the personal experience and understanding.

关 键 词：阿尔寨石窟 壁画 修复 

分 类 号：K879.41[历史地理—考古学及博物馆学]