《青城十九侠》:从小说到戏曲  

The Nineteen Swordsmen in Qingcheng:From Novel to Opera

作　　者：鲍开恺[1] 艾立中[2] BAO Kaikai;AI Lizhong(School of Humanities, Suzhou University of Science and Technology, Suzhou 215009, China;School of Humanity, Soochow University, Suzhou 215123, China)

机构地区：[1]苏州科技大学人文学院,江苏苏州215009 [2]苏州大学文学院,江苏苏州215123

出　　处：《苏州教育学院学报》2017年第1期26-34,共9页Journal of Suzhou College of Education

基　　金：中国文艺原创精品出版工程项目"中国现代通俗文学与通俗文化研究";姑苏宣传文化人才重大项目"中国现代通俗文学与通俗文化互文研究"

摘　　要：还珠楼主小说《青城十九侠》在连续出版的同时,就被他改编成京剧搬上舞台。这一主要是为"四大名旦"之一尚小云的表演量身打造的剧本,体现了一种"为专人编戏"的特色,是当时戏曲界"明星制"的产物。《青城十九侠》从小说到戏曲的改编,文本的主旨、情节、人物形象都发生了较大变化,这种变化是由改编者的思想观念、演员的演技、观众的欣赏习惯等因素决定的。During the process of publication,the novel of The Nineteen Swordsmen in Qingcheng byHuanzhu Louzhu was adapted into Peking Opera and performed on stage.It was adapted particularly forShang Xiaoyun,one of the“Top Four Peking Opera Performers of Female Heroines”,which showed thecharacteristic of“making a play for a particular person”,and was the result of the“celebrity system”in theopera circles.As the novel was adapted into an opera,the theme,plot and characters became noticeablydifferent from the original text,and playwrights’ideas,actors’skills and audiences’habits contributed tosuch changes.

关 键 词：《青城十九侠》 小说 戏曲 改编 

分 类 号：I207.42[文学—中国文学]