女说书:近代苏州评话艺人的性别分野  

Female Storytellers:The Gender Distinction Among Modern Suzhou Pinghua Performers

作　　者：解军[1] 寇宝银[1] XIE Jun;KOU Baoyin(Faculty of Ideological and Political Theory, Huaiyin Institute of Technology, Huaian 223003, China)

机构地区：[1]淮阴工学院马克思主义学院,江苏淮安223003

出　　处：《苏州教育学院学报》2017年第1期72-77,共6页Journal of Suzhou College of Education

基　　金：江苏省哲学社会科学基金青年项目(16YSC002)

摘　　要：苏州评话是一种流行于江南的地方曲艺形式。从明末清初形成之后,苏州评话的从业者几乎全部都是男性,这既有清代女性被禁止演剧的因素,更有苏州评话自身的特点。近代以降,苏州评话开始出现女性艺人,但是这个队伍始终没有壮大。女说书因长期演说男性题材的苏州评话,在一定程度上也改变着自己的性情。Suzhou Pinghua is a folk-art form popular in south of the Yangtze River.Since its formationin the late Ming and early Qing dynasties,the practitioners of Suzhou Pinghua have been basically male.It is partly because of the prohibition of women taking part in acting.It also has something to do with thecharacteristics of Suzhou Pinghua itself.As time passes by,especially in modern times,female storytellersgradually appear.However,the scale never gets large.The characters and personalities of the femalestorytellers have been changed to some extent,becasue they keep performing Pinghua that focuses on malethemes.

关 键 词：女说书 苏州评话 性别 评弹 

分 类 号：J826[艺术—戏剧戏曲]