父权意识下的女性悲剧——再识海明威塑造的女性形象  

Female Tragedy under Ideology of Patriarchal Fatherhood——Cognition of Hemingway's Female Image

作　　者：孙文娟[1] 栗文秀 SUN Wen-juan;LI Wen-xiu(Xinzhou Teachers University, Xinzhou 034000, China;Fanshi Senior Middle School, Fanshi 034300, China)

机构地区：[1]忻州师范学院英语系,山西忻州034000 [2]繁峙中学,山西繁峙034300

出　　处：《遵义师范学院学报》2017年第1期84-86,共3页Journal of Zunyi Normal University

摘　　要：评论界普遍将海明威作品中的女性形象分为两类,即"天使"和"妖女"。文章以此为着眼点,再识海明威所塑造的女性形象,阐述了这两类女性悲剧不是海明威为作品创造出来的,而是真实的反映了当时的社会现状,揭示了女权主义在父权主义主导下发展的艰难性。同时以马克思主义视角,初步分析、反思了海明威笔下"天使"和"妖女"这两类女性遭受悲剧的现实原因,以期对现实的我们有所启发。文章再次告诉我们:女性的经济独立与个性的解放密切相关,男性对女性的尊重以及两性的平等是推动社会不断向前发展的重要前提条件。Critics generally divide Hemingway’s female image into two types: “angel” and “siren”. From this starting point, this paper again cognizes Hemingway’s female image, stating that women’s tragedy was not created for Hemingway’s works but a reflection of the social situation at that time, and revealing the difficulty of the development of feminismunder the leadership of the patriarchy.Meanwhile,from the perspective of Marxism, the paper analyzes and introspects realistic reasons of these two types of women’s tragedy to inspire people in the real world.We can get the cognition:women's economic independence and personality liberation are closely related;men's respect for women and gender equality is an important prerequisite for pushing the society forward.

关 键 词：海明威 父权意识 女性悲剧 马克思主义 

分 类 号：I106.4[文学—世界文学]