明清小说意境的繁荣及其表现  

The Prosperity of Artistic Context in the Novels of Ming and Qing Dynasties

作　　者：康建强[1,2] KANG Jian-qiang(Shandong University, Jinan 250100, China;Baicheng Normal University, Baicheng 137000, China)

机构地区：[1]山东大学文艺美学研究中心,山东济南250100 [2]白城师范学院文学院,吉林白城137000

出　　处：《天中学刊》2017年第6期113-120,共8页Journal of Tianzhong

基　　金：吉林省教育厅社科规划项目"中国古代小说意境发展史研究[2015]第369号"

摘　　要：明清时期,意境理论与小说文体充分接轨,小说观念与创作实践亦于文学领域渐次深化,故而多数小说作家能够以鲜明的意境思维进行小说创作。在此背景下,明清小说作家既具成熟的意境构设思维,又能娴熟运施多样化的意境创设手法,最终推动明清小说意境发育至繁盛状态。During Ming and Qing Dynasties,the theory of artistic context was in line with the novel stylistics.The novel ideas and creative practice in the field of literature were gradually deepened and the majority of writers created novels with distinctive artistic thinking.In this context,the writers of Ming and Qing Dynasties both have mature artistic construct thinking and skillful application of diversified artisticwriting techniques,which ultimately promoted the development of the novels of Ming and Qing Dynasties to a prosperous state.

关 键 词：明清小说 意境 繁荣 表现 

分 类 号：I206[文学—中国文学]