旋律学研究的范式性个案——“西北高原汉族音乐文化区民歌系统化综合研究”前言  

A Paradigm for the Study of Melody: Preface to A Systematic and Comprehensive Study of the Han Folk Songs on the Northwest Plateau

作　　者：李玫[1] LI Mei

机构地区：[1]中国艺术研究院音乐研究所

出　　处：《星海音乐学院学报》2017年第4期39-55,共17页Journal of Xinghai Conservatory of Music

摘　　要：在现有的音乐学理论中,并没有提供一套适合于中国民间音乐形态特征的技术分析体系,这与30多年来民族音乐学在国内的发展势头很不相称,与业已积累起的海量原始资料的现状相比,显出了理论研究的极度滞后。文章是对2013年完成的国家社会科学基金项目"西北高原汉族音乐文化区民歌系统化综合研究"的立意、基本思路和具体内容的概述。这个项目是基于改善旋律学分析现状的学术建设思考而设计的。这项工作的终极目标是期冀建立一套有严密逻辑的、可操作的分析体系,有助于填补和健全民族音乐理论体系,为专业音乐教育提供有坚实理论支持的专业教材。In the existing musicological theories,there has not been a technical analysis system suitable for morphological study of Chinese folk music.In comparison to the rapid development of ethnomusicology and tremendous music samples accumulated during the past30years,the theoretic study is seriously falling behind.The preface highlights the propose,basic ideas and specific contents of the monograph A Systematic and Comprehensive Study of the Han Folk Songs on the Northwest Plateau completed in2013under the support of the National Foundation for Social Science of China.Designed to improve the analysis of melody and establish a set of highly logical and operable system to enhance the Chinese music theoretical system and provide a textbook for music education.

关 键 词：旋律学 分析框架 西北高原内区 形态结构 

分 类 号：J607[艺术—音乐] J614.6