《人民的名义》:现象级作品及其误读的尴尬  

“In the Name of the People”:Phenomenological Works and the Embarrassment of Misreading

作　　者：苏金刚 Su Jingang(Shanxi Linfen TV University, Linfen, Shanxi, 041000)

机构地区：[1]临汾广播电视大学,山西临汾041000

出　　处：《山西广播电视大学学报》2017年第4期70-78,共9页Journal of Shanxi Radio & TV University

摘　　要：《人民的名义》以其现实精神、真的勇气,巧合等艺术手法成就了其现象级作品,作品呈现了大尺度、大格局、大视野景象,给人以强烈震撼,同名电视剧甫一播出,反响不凡,但同时影视剧在传播效应上的助推,官方话语与民间逻辑的不对位以及文本本身的内涵多义性诸多因素,一定程度上也造成了解读的尴尬。“In the name of the people”,with its realistic spirit,true courage,coincidence and other artistic techniques,has succeeded in its phenomenal works.The works shows a large scale,pattern,and view scene,which gives people a strong shock.The TV play of the same name was broadcast once,which produced extraordinary response,but at the same time,the film and television play boosted propagation effect,and the discrepancy between official discourse and folk logic and the ambiguity of the text itself,to some extent,also led to the embarrassment of interpretation.

关 键 词：现象级作品《人民的名义》 现实主义精神 真的勇气 巧合的艺术 真实素材 政治功利性 解读尴尬 

分 类 号：J95[艺术—电影电视艺术]