沈从文的严肃文学观——从“京海论争”说起  

On Shen Cong-wen's Serious View of Literature——An Interpretation of the Debate between the“Peking School”and the“Shanghai School”

作　　者：王莉[1,2] WANG Li(College of Literature,Tianjin Normal University,Tianjin 300387,China;Mudanjiang University,Mudanjiang,Heilongjiang 157011,China)

机构地区：[1]天津师范大学文学院,天津300387 [2]牡丹江师范学院文学院,黑龙江牡丹江157011

出　　处：《牡丹江师范学院学报（社会科学版）》2017年第6期79-86,共8页Journal of Mudanjiang Normal University(Social Sciences Edition)

摘　　要：20世纪30年代轰动文坛的"京海论争",其本质是沈从文与上海的非"海派"作家之间围绕何为"京派",何为"海派"的一场讨论。讨论过程中,沈从文的严肃文学观得以彰显。而沈从文的严肃文学观也表现在同其他文学观的褒贬比较中。他批评"闲适趣味主义""商业低级趣味",极力反对把文学看成服务政治的工具。沈从文强调文学的社会担当功能,他的代表作《边城》就充分体现了这种担当意识。the debate between the“Peking School”and the“Shanghai School”in the1930s is only a discussion about what the two denominations between Shen Congwen and writers who live in shanghai but don’t belong to the“shanghai school”.It shows Shen Congwen’s serious view of literature.Shen Congwen criticizes“leisure enjoyment tendency”“vulgar interest tendency”and those who makes literature politicalized.“The border city”which is Shen Congwen’s master work shows his responsibility as a writer.

关 键 词：沈从文椈文学观 京派 海派 《边城》 

分 类 号：I206.6[文学—中国文学]