中国第四代女性导演电影中的婚姻问题表达  

View on the Marriage in the Movies of the Fourth Generation Female Directors of China

作　　者：任璇宇[1] REN Xuanyu(Faculty of Humanities, Arts and Social Science, Flinders University, Adelaide, South Australia, 5043, Australia)

机构地区：[1]弗林德斯大学人文艺术与社会科学学院

出　　处：《重庆文理学院学报（社会科学版）》2017年第6期69-72,共4页Journal of Chongqing University of Arts and Sciences（Social Sciences Edition)

摘　　要：中国第四代导演中的女性导演是数量激增的一代,她们进入主流电影界并拍摄了大量成功的影片。但是,中国女性导演受中国女性主义发展以及女性文学发展的约束非常大。中国女性地位的不断提高,使得第四代中国女性导演可以就中国女性主义运动早期(五四运动时期)所探讨的女性出路问题进行解答,即女性有能力脱离家庭独自生活。但是,中国女性导演极其有限地触及了社会中限制女性最多的领地"婚姻"。对于婚姻问题的躲避,是由中国女性主义发展以及女性文学发展的天然缺陷导致的。The number of female directors in the Chinese4th generation experienced a dramatically increasing.They entered the main stream film industry and produced a lot of successful movies.However,the restriction from the Chinese feminism and feminist literature limited the development of Chinese female directors.Accompanied with the constantly improving of the Chinese female’s status,the4th generation female directors could solve the feminist problems that was proposed by the feminists from early stage of Chinese feminist movement,that is,the female could have the ability to leave the family and live independently.However,the Chinese4th generation female directors had been limited by the discussion of marriagewhich maintains the most of discrimination towards women.The escape of marriage is a result of nature defect from the development of Chinese feminism and feminist literature.

关 键 词：女性主义电影 第四代导演 婚姻 

分 类 号：J909.8[艺术—电影电视艺术]