基于负建筑理论的山地建筑设计——以青岛世园会青岛馆设计为例  

Mountain architecture design on the theory of defeated architecture——A case study of Qingdao Museum in Qingdao World Horticultural Exposition

作　　者：解旭东[1] 任晓双 XIE Xu-dong;REN Xiao-shuang(School of Architecture, Qingdao University of Technology, Qingdao 266033, China)

机构地区：[1]青岛理工大学建筑学院,青岛266033

出　　处：《青岛理工大学学报》2017年第6期45-50,共6页Journal of Qingdao University of Technology

摘　　要：山地建筑设计要求建筑与环境和地形的有机结合.日本建筑师隈研吾的"负建筑"理论,强调了建筑设计不应过度在意本体造型,应遵循人与自然为本的可持续发展原则.分析了山地建筑特点在负建筑理论中的体现,并以2014年青岛世界园艺博览会青岛馆为例,从建筑造型、建筑空间、建筑材料及建筑色彩4个方面,探讨了"负建筑"理论在山地建筑设计上的影响与应用.Mountain architecture design requires the organic combination of architecture,environment and terrain.Kengo Kuma,a Japanese architect,puts forward an idea in his theory of"defeated architecture"that we should not care too much about modeling in architecture design.Architects should take the harmony between humanity and nature as the foundation to carry on the sustainable development of the architectural design.This paper analyzes the characteristics of mountainous architecture reflected in the defeated architectural theory,and takes the2014Qingdao Museum of Qingdao World Horticultural Exposition as an example,from the four aspects of architectural form,architectural space,building materials and color to explore the influence and application of the concept of"defeated architecture"in the design of mountainous architecture.

关 键 词：负建筑 山地建筑 世园会 青岛馆 

分 类 号：TU242[建筑科学—建筑设计及理论]