十七年话剧舞台灯光的技术升级与风格演变  

The Upgrading Technology and Style Changing in Stage Lighting of the “Seventeen Years”

作　　者：邓良[1] DENG Liang(School of Journalism and Communication of Yangzhou University, Yangzhou, Jiangsu, 225009)

机构地区：[1]扬州大学新闻与传媒学院,江苏扬州225009

出　　处：《河北民族师范学院学报》2018年第1期54-60,共7页Journal of Hebei Normal University For Nationalities

基　　金：2017年度国家社会科学基金青年项目"新中国话剧‘胭脂美学’风尚研究(1949-1979)"(17CZX067)

摘　　要：随着剧场艺术的正规化,十七年话剧舞台灯光的技术得以全面升级,从之前的一穷二白提高到能适应大多数创作要求的程度。写实性灯光设计从技术升级中获益最多,曾长期困扰舞美界的灯光与戏景配合的诸多问题,亦得到一定程度的解决。从美学角度来看,支配着舞美界的"再现"框架也开始出现松动,其中灯光设计功不可没。以上因灯光软硬件的改变而出现的种种新气象,集中体现在十七年期间重点剧院的演出中,其中的经验与教训,值得后人记取。With the development of“the regularization of theatre art”.In the“Seventeen years”,stage lighting technologies of Chinese drama are upgraded comprehensively--from the state of poorness to the state which can adapt to the various requirements of artistic creation.The one with most benefit from it is realistic style of lighting design,because designers solve the problems on the coordination of light and scenery which often hunts them during the process.On the respects of aesthetics,the framework“representation”which dominates“the Fine art of stage of Chinese drama worlds”,in which the lighting plays a big role.The emergence of various new conditions owing to the upgrading of software and hardware are mainly displayed in performances of key theatres.There are many inspirations in the history.

关 键 词：光源 幻灯 光景配合 焦菊隐 

分 类 号：I206.7[文学—中国文学]