论古意诗  

On Poetry Imitating the Ancient Taste

作　　者：郭晨光 GUO Chen-guang

机构地区：[1]北京师范大学继续教育与教师培训学院

出　　处：《南京师大学报（社会科学版）》2018年第2期133-142,共10页Journal of Nanjing Normal University(Social Science Edition)

基　　金：博士后基金特别资助项目"汉魏六朝杂体诗研究"(2017T100044)阶段性成果

摘　　要：齐梁后,古意诗大量出现。"古意"不仅指题材内容的古人古事,也指诗歌形式、体制上仿效古诗和乐府。古意诗来源于代表寒庶诗风的陶渊明、鲍照的《拟古》之作,是其在齐梁的新发展,也反映了当时文学士庶文学合流的倾向:将士族文学倡导的高雅修饰性的语言结合注重抒情、语言通俗的汉魏寒素文学以及当下民间的新声杂曲。古意诗常用作乐府体,并不严格遵循、勾连古题、古辞,或只赋写古辞之题面,且题目异名现象普遍,有些与徒诗界限不明。古意反映了当时的精英对继承文学传统,将这种精巧结合古典资源、现实政治以及具体情事,考验作者构建文本的复合行文能力,有规范诗学的意义。During the Qi and Liang Dynasties,there appeared a great number of poems imitating the ancient taste in that not only the subject matters of the poems were about the people,things and events in the past but their form and style were also modeled on the poems in the Han and Wei periods.This trend originated with Tao Yuanming and Bao Zhao,who had both written poems entitled“Imitating the Ancient Taste”and represented a style showing great affinity with the people from humble origin.The development of this trend in the Qi and Liang period reflected a convergence between the literature of noble class and that of common people:the refined style of the former was combined with the simple but lively elements of folk poems.The poems with ancient taste were usually modeled on those of Yuefu乐府(literally music bureau)but had their own characteristics in both theme and form as well.This creative imitation speaks of the efforts made by the literary elites in the Qi and Liang period to integrate the literary legacy with the then political and other realities,which imposed great demand on the poets’writing capacity and had great poetic implications.

关 键 词：古意 《拟古》 乐府古意诗 文学精英 

分 类 号：I207.22[文学—中国文学]