论新世纪以来台湾电影中的原住民形象建构  

On the Construction of the Aboriginal Image in Taiwan Movies since the New Century

作　　者：王帅[1] 孙慰川[1] WANG Shuai;SUN Wei-chuan

机构地区：[1]南京师范大学文学院,博士研究生210097

出　　处：《南京师大学报（社会科学版）》2018年第2期152-160,共9页Journal of Nanjing Normal University(Social Science Edition)

基　　金：文化部文化艺术研究项目"ECFA时代的台湾电影及两岸合拍片研究"(16DC20)阶段性成果

摘　　要：新世纪以来,塑造原住民形象的台湾电影作品逐渐增多,台湾原住民籍导演以影像为族人发声的现象也开始出现。原住民在台湾银幕上逐渐摆脱了被异化、被边缘化的"他者"命运,越来越进入主流的影像叙事中,呈现出丰富且生动的面貌。但不可忽视的是,在此过程中也暴露出了诸多问题。本文通过对这一时期台湾电影中的原住民形象进行检视与反思,探讨如何才能建构出真实的原住民形象。Since the beginning of the new century,the number of movies produced in Taiwan which have shaped the image of aboriginal people has gradually increased,and the aboriginal directors have begun to give a voice to the indigenous people by using images in their movies.On the screen,the aboriginals gradually get rid of being alienated and marginalized as“others”and begin to be integrated into the mainstream narrative,showing a rich and vivid appearance.But what cannot be ignored is that at the same time such efforts made by the aboriginal directors have also given rise to many problems.This article is thus intended to examine the image of the aborigines in the movies of Taiwan in this period in order to explore how to build a true image of the aboriginals.

关 键 词：台湾电影 原住民形象 反殖民 

分 类 号：J905[艺术—电影电视艺术]