从宫崎骏电影中的“疾病”意象探其对人类命运的思考  

On the Image of "Disease" in Hayao Miyazaki's Films and His Reflection about Human Destiny

作　　者：方一舟[1] 张小云 

机构地区：[1]景德镇学院陶瓷与艺术设计学院,江西景德镇33300

出　　处：《景德镇学院学报》2018年第1期130-135,共6页Journal of JingDeZhen University

基　　金：景德镇学院2017年教学改革研究项目"高校影视理论视域与制作技术碎片化教学方法改革与研究"(JYYB-17-02);江西省2017年高等学校教学改革研究课题项目"创新高校思想政治理论视域与教学模式实践研究--以影视文学与DV短片制作课程为例"(JXJG-17-21)

摘　　要：宫崎骏作为当代世界动画电影大师,其作品打破了动画片以儿童为主要观众的定位。他的作品思想主题深厚多重,富有强烈的社会意识、时代气息和人文关怀,充满了对人类命运的思考。在他的多部经典作品中,不断出现"疾病"这个意象和引申意象。本文将从宫崎骏几部经典动画电影中的"疾病"意象出发,深入其动画电影的思想主题,尝试探究他对人类命运思考的理论视域。As a master of contemporary world animation film,Hayao Miyazaki's works break the rules of positioning children as the main audience.The theme of his works is serious and complex,rich in social consciousness,with the spirit of the times and humanistic care.In many of his classic works,the image of "disease" and the image of extension are constantly emerging.This article starts from several "disease" images in Hayao Miyazaki's classic animated films,conducts an in-depth study on the theme of his animated film,trying to explore it's theoretical perspective on human destiny.

关 键 词：“疾病”意象 人类 自然 思考 

分 类 号：J955.2[艺术—电影电视艺术]