民国中后期陇中文学创作述略  

The Study on Longzhong Literature in the Republic of China During the Middle and Late Period

作　　者：贾伟 JIA Wei(Department of Humanities Teaching, Dingxi Campus of Gansu University of Chinese Medicine,Dingxi Gansu 743000)

机构地区：[1]甘肃中医药大学定西校区人文教学部,甘肃定西743000

出　　处：《甘肃高师学报》2018年第1期9-13,共5页Journal of Gansu Normal Colleges

基　　金：2012年国家哲学社会科学基金项目"陇中文学研究"(12XZW008)

摘　　要：二十世纪二十年代以来的陇中文学创作受国内形势和新文化因素的影响,社会题材逐步深化,创作上现实性、批判性更为明显,出现了由"个人"向"家国"、由个体情怀向家国情怀转型的鲜明趋势,以陇西祁氏兄弟、王海帆、杨巨川的创作为代表。三十年代后期受抗战的影响,"救亡"和吁求"新生"成为文学主题,现实主义手法和题材进一步深化,出现了以范振绪、陈国钧、张作谋、王干一、路志霄等为代表的抗战题材的诗文创作。四十年代产生了真正意义上的新文学形态,以夏羊为代表的陇中文学创作逐步走向繁荣并开启了当代文学的先声。Longzhong literary creation is affected by the domestic situation and the new cultural factors since1920s,social themes gradually deepened,and the creation of realism and criticism is more obvious.There was a clear trend of transformation from“individual”to“State”and individual feelings to family feelings,represented by the creation of Qi Yinjia,Qi Yinjie,Wang Haifan,Yang Juchuan.By late30s,“salvation”and“new life”has become the theme of literature,the means and subject matter of realism are further deepened,the poetic creation of the Anti Japanese War appeared,which are represented by Fan Zhenxu,Chen Guojun,Zhang Zuomou and so on.In40s,the new literary form in the true sense appeared.With Xia Yang as the representative,Longzhong literature began gradually moving towards prosperity and opened the prelude of contemporary literature.

关 键 词：民国 陇中文学 现实主义 救亡 新生 

分 类 号：I206.5[文学—中国文学]