戒严·解严·新世纪:台湾电影中政治地景的意象转变  

Curfew,Lifting Curfew and the New Century:The Shifting of the Images of Political Sceneries in Taiwan Movies

作　　者：黄诗娴 Huang Shixian

机构地区：[1]台湾辅仁大学跨文化研究所

出　　处：《南京师范大学文学院学报》2018年第1期140-146,共7页Journal of School of Chinese Language and Culture Nanjing Normal University

摘　　要：以"总统府"、中正纪念堂等为代表的政治地景在不同时期的台湾电影中的意象,与城市的历史经验、政治环境及社会变迁密切相关。戒严时期,政治地景常作为高高在上的威权政治权力隐喻;解严前后,电影中出现了对政治地景所象征的威权体制的冲撞、不满与抵抗;21世纪以来,政治地景在电影中呈现复杂多元的意涵。2008年台北市电影委员会成立,在城市营销与文化创意产业、城市观光发展的背景下,政治地景全面开放为电影拍摄地,为城市行销服务。政治地景在不同时代的变迁,留下历史的印记,也提供着相应的社会经验。The images of the political sceneries such as the“Presidential Office Building”,the“Chiang Kai-shek Memorial”,etc.,in Taiwan Movies are closely related to the historical experiences,political environment and social transition.During the period of martial law,these political sceneries were metaphors of the supreme authoritarian political power.Around the time of lifting the martial law,the movies show the conflicts,resentment and resistance to the authoritarian system represented by these political landmarks.Since the beginning of the 21th century,these political sceneries demonstrate complicated and diversified connotations in movies.In 2008,the Film Commission of Taipei was established.Under the background of developing city innovative cultural industry and tourism,the political sceneries are completely open for the purpose of film shooting and city marketing.The transition of the political sceneries along with the time has left behind historical imprints as well as relevant social experiences.

关 键 词：台湾电影 政治地景 戒严解严 新世纪 

分 类 号：I207.351[文学—中国文学]