论理查德·赖特小说中“看不见的女性”  

On the“Invisible Female”in Richard Wright's Novels

作　　者：方圆[1] FANG Yuan(School of International Studies, Zhejiang University, Hangzhou 310058, China)

机构地区：[1]浙江大学外国语言文化与国际交流学院,浙江杭州310058

出　　处：《东北大学学报（社会科学版）》2018年第2期209-215,共7页Journal of Northeastern University(Social Science)

基　　金：国家社会科学基金重大资助项目(13&ZD127)

摘　　要：在赖特被屡屡诟病的性别政治背后,他作品中的雌雄同体和阿尼玛原型是非常值得关注的。赖特作品中的阿尼玛有积极和消极之分,积极阿尼玛是黑人男性人格发展和完善的源泉和向导,而消极阿尼玛则可能成为他堕落的诱惑者。《成人礼》中的看不见的黑人女性则是赖特作品中最典型的母亲阿尼玛形象,是男性人物成长的守护神,男主人公内在的女性气质和情感也正是源于母亲阿尼玛的投射。赖特在作品中阐明,只有尊重和认同灵魂中的异性人格,才能找到通往无意识的桥梁,成为一个精神生活健全的人。Behind the gender politics under criticism,androgyny and the archetype Anima in Wright s works is worthy of attention.Archetype Anima in Wright s works is both positive and negative.Positive Anima is the source and guide for the development and improvement of black males personality while negative Anima may become the seducer of males depravity.The invisible black woman in Rite of Passage is the most typical image of Mother Anima in Wright s works,who is the patron saint of the male character s growth.The inherent femininity of the hero in Rite of Passage is also derived from the projection of Mother Anima.Only by respecting and recognizing the heterosexual personality in the soul can an individual find the bridge leading to the unconscious and become a person with perfect spiritual life.

关 键 词：理查德·赖特 阿尼玛原型 雌雄同体 

分 类 号：I106.4[文学—世界文学]