人生自是有情痴,此恨不关风与月——唐明皇形象在古代文学作品中的演变  

“Human Beings Have Ever Lovesickness,Which Has Nothing to Do with Romantic Sometimes”: on the Evolution of Tang Dynsasty Emperor Xuanzong's Image in Literary Works

作　　者：王璐瑶 WANG Luyao(Henan University,Kaifeng 475001,Henan,China)

机构地区：[1]河南大学,河南开封475001

出　　处：《平顶山学院学报》2018年第1期55-59,共5页Journal of Pingdingshan University

摘　　要：唐明皇与杨贵妃缠绵哀婉的爱恋,永恒闪烁在浩瀚灿烂的历史星空。从《长恨歌》到《梧桐雨》,再到《长生殿》,唐明皇这一艺术形象逐渐由王权主宰者演变为人间至情的守护者。这种演变一方面受时代风尚和文学体裁的影响,另一方面则是由不同时代创作主体的创作意图的差异造成的。Emperor Xuanzong of Tang Dynasty and his beauty Yang Yuhuan’s lingering melancholy love is eternally flashing in history.From the Everlasting Regret to the Indus Rain,and then to the Longevity Hall,the Emperor Xuanzong,the literary image,gradually transfers from a royal master into a guardian of love.This evolution,on one hand,is dominated by the fashion of times and literary genre,and on the other hand,is caused by the differences in the creative intentions of different writers in different times.

关 键 词：唐明皇 文学形象 演变 

分 类 号：I206[文学—中国文学]