望江挑花艺术形式在现代设计中的应用  

Application of Wangjiang Embroidery Art form into the Design

作　　者：李辉周[1] 徐青[1] Li Huizhou;Xu Qing(Hefei Normal University,Hefei,Anhui,230061)

机构地区：[1]合肥师范学院,安徽合肥230061

出　　处：《赤峰学院学报（哲学社会科学版）》2018年第1期137-139,共3页Journal of Chifeng University：Philosophy and Social Science Chinese Edition

基　　金：安徽省高校人文社会科学研究重点项目"新媒体语境下皖西南民间美传承开发研究"(SK2016A0752);合肥师范学院2017年校级科研项目"望江挑花艺术形式在旅游纪念品包装设计中的应用"(2017QN65)

摘　　要：望江挑花是安徽第一批入选国家非物质文化遗产的民间艺术,以其独特有的民俗特征、深厚的文化内涵而被各界关注。当代社会对于挑花艺术的保护提出了创新传承,本文提出将挑花艺术与现代设计结合,使挑花艺术在当代仍然具有生命力。全文从图案纹样、配色特点及艺术审美等方面阐述了并提炼望江挑花的艺术价值,提出把望江挑花的图案、色彩元素融入现代设计中的设计理念。通过对望江挑花视觉元素的创新再设计及应用,为作为非遗的望江挑花现代生存和发展开拓更广阔的空间。Wangjiang embroidery stitch is the first batch of Anhui selected national intangible cultural heritage of folk art,with its unique body some folk features and profound cultural connotation is the attention from all walks of life.The contemporary society is put forward for the protection work of art innovation heritage,this modern design art.The full text and refine the artistic value of Wangjiang embroidery stitch patterns,color matching is discussed from the characteristics and aesthetic aspects,put forward the Wangjiang embroidery stitch pattern and color elements into the design concept in modern design.Through the innovation of the primary visual Wangjiang embroidery stitch design and application,develop a broader space for the survival and development of the intangible cultural heritage.

关 键 词：望江挑花 包装设计 应用 

分 类 号：J418[艺术—摄影艺术]