论米芾《画史》的绘画审美观  

On MI Fu's Aesthetic Concept Reflected in Painting History

作　　者：龚剑 

机构地区：[1]贵州大学建筑与城市规划学院,贵州贵阳550025

出　　处：《贵州大学学报（艺术版）》2018年第1期96-100,共5页Journal of Guizhou University Art Edition

基　　金：贵州省教育厅高等学校人文社会科学研究基地项目"书法与国学关系研究"(项目编号:2016JD002)

摘　　要：米芾在其学术著作《画史》中体现了他的绘画审美观:提倡脱俗,风格上既有创新,又存古意,画面要平淡清幽,布局要天真自然,用笔要枯老劲硬,并要注意到画作适合场所、欣赏者的意趣问题;对画家古今并重,但张扬自我的意识无时不在;注重绘画之劝俗佐世的社会功能作用,兼重画家人品高下;注重画作的装禙技法及用材、展览、收藏等,所提方案切实可行。Painting History as MI Fu’s academic work displays his aesthetic concepts.For instance,painters should not be bound by the conventions,and they should be innovative in style while keeping the ancient connotations;the picture should be placid and the layout should be natural;the brushstroke should be steady and hard;and the painting should be in accordance with it applications and its appreciators’interest.Painters should display their individuality by highlighting painters’merits in ancient and current times.Paintings should exert certain social functions while paying regard to painters’personal integrity.It also mentions how to frame,display and collect paintings.All the proposals are still feasible at present time.

关 键 词：米芾 《画史》 绘画理论 审美观 

分 类 号：J201[艺术—美术]