工匠、文人的互动与晚明江南雅宅室内设计  

The Interaction between the Craftsmen and the Literati on the Interior Design of the Jiangnan in the late Ming Dynasty

作　　者：王春雷 徐志勇[2] WANG Chun-lei;XU Zhi-yong(School of Fine Arts,Anhui Normal University,Wuhu 241000,China;School of Fine Arts,Nantong University,Nantong 226000,China)

机构地区：[1]安徽师范大学美术学院,安徽芜湖241000 [2]南通大学艺术学院,江苏南通226000

出　　处：《南通大学学报（社会科学版）》2018年第2期106-110,共5页Journal of Nantong University:Social Sciences Edition

基　　金：2018年安徽省高校人文社科研究项目;安徽师范大学博士科研启动金项目资助

摘　　要：晚明工匠制度瓦解后,工匠的社会、经济地位得到很大的提高,部分工匠已具有较高的审美品位与文化素养。文人阶层则在险恶、动荡的政治环境面前选择了退隐于市,他们开始将目光着眼于日常生活,营造自己的日常生活环境,开始与工匠通力合作,借工匠之手将自己的艺术设计"蓝图"变为现实。工匠因其审美品位与文化素养的提高,对文人的设计意图和审美趣味也心领神会,能够将文人的思想、气质注入到具体的设计中。正是两者的通力合作,使得晚明江南文人雅宅室内设计成为了艺术的典范之一。After the collapse of the craftsman system in the late Ming Dynasty,craftsmen’s social and economic status were greatly improved,and some craftmen also had high aesthetic tastes and cultural qualities.Confronted with dangerous and turbulent political environment,some literati decided to withdraw from public life and started to focus on the everyday life and create their own daily environment by art.Meanwhile,they turned the“blueprints”of their own design into reality through craftsmen.With the improvement of the aesthetic tastes and cultural qualities of the craftsmen,their tacit understanding of the design intent and aesthetic taste of the literati also enabled them to inject the thought of the literati and humanistic temperament into the detailed design.That’s exactly the significant cause why in the late Ming Dynasty the interior design in the south of the Yangtze River was full of literary temperament.

关 键 词：江南 工匠 文人 室内设计 

分 类 号：TU238.2[建筑科学—建筑设计及理论]